Crédit photo : Maks

« Spectacle non-vivant »

Diorama, peinture acrylique et aérosol sur panneaux médium.

Invité pour la seconde fois en plein confinement par l’équipe de Dédale à Vannes, je proposais une composition immersive sous la forme d’un diorama.

Le spectateur deviendra-t-il acteur dans cette immersion aux allures apocalyptiques ? 

Ainsi par cette inspiration Debordienne, « Les tromperies dominantes de l’époque sont en passe de faire oublier que la vérité peut se voir aussi dans les images »

” Non-living show “

Diorama, acrylic and aerosol paint on medium panels.

Invited in full confinement a second time by the Dédale team in Vannes, I presented an immersive composition with the form of a diorama.

Will the spectator become an actor in this apocalyptic-looking immersion?

Thus by this Debordenian inspiration, “The dominant deceptions of the time are about to make us forget that the truth can also be seen through images”.

Crédit photo : Sébastien le Gourriérec

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BREZ Mathias, born in 1972, live in Rennes. Son of farmers, an happy childhood in the countryside with his siblings in 1980, his family emigrated to Rennes, a small town in province. Plunged booming 80s, he discovers the Comics, Gotlib, fluide glacial, Letendre, Loisel, Japanese animated series and Graffiti trought Flashdance. In the late '80s, he made ​​use of local precursors and becomes a hiphop activist. With members of Graffiteam, he organized many meetings, exhibitions, events goshawks that culture. In 2013, with Patrice POCH, he created the International Urban Art "TEENAGE KICKS" that will bring in Rennes nearly 70 international artists. His artistic process explores several approaches, most often contextual, visual interventions, installations, collages, new muralism, featuring illustrations and characters closely with selected media, the location, the real or imagined history. Moreover, under the set of letters BREZ72 a calligraphic work away from the very coded language of traditional graffiti, playing the adversarial balance between freedom of abstraction and constraint typographical reading.